Tuesday, 18 September 2012

18 September 2012 – Walk: Plymouth, Antony (NT) (13.8 Miles)

Synopsis: Plymouth viewed from a number of unusual angles from across the River Tamar. A very rural walk for a location so close to Plymouth. Plus a visit to Antony (NT), home of Alice in Wonderland.

GPS Tracklog Download (.gpx) Microsoft OneDrive -:- Google Drive
 
 
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(selection of photos from Flickr photo set – use link above to view album)

A walk on the wild side! Cornwall, that is; well, just over the border anyway. This is a walk I’d planned quite some time ago but it’s taken until today to actually walk it. In part that’s because the walk includes a visit to the National Trust property of Antony, which is only open on particular days of the week. The walk required an early start, needing me to set my alarm for 5am for the purpose of catching the 6:35am bus from Exeter to Plymouth.

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Cremyll Ferry - Stonehouse, Plymouth - family of swans nesting on the quayside

I arrived in Plymouth punctually at 8:15am. From the Bretonside bus depot it was a short walk of about 1.5 miles to the landing jetty of the Cremyll Ferry at Admiral’s Hard, Stonehouse. I arrived just a few minutes too late for the 8:45 sailing and therefore had to wait for thirty minutes for the next ferry. As I waited for my ferry I watched the swans that had nested on the slipway. A family of two adults and three signets. They made off onto the River Tamar after a while, presumably their first dip of the day.


 


The Cremyll Ferry must be one of the oldest still operating in the country, a ferry has operated here for more than one thousand years. At one time the crossing must have been quite a daunting endeavour, as the river can run as fast as eight knots at this point. The oldest picture of the ferry dates from 1540 on which it appears as a small rowing boat. The colour picture below, a painting by William Gibbons (1841-1886), shows how Admiral’s Hard looked in 1864. At one time a paddle steamer operated on this river crossing, shown below at Cremyll beach.

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Cremyll Ferry & Mount Wise © Plymouth City Council

 

 

 

 

 

 

 

 

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Cremyll Ferry - view of the Royal William Victualling Yard, Stonehouse

Plymouth naval docks has a long history and the buildings remain impressive to this day. They loom large and solid over the gunnels of the ferry, meant to withstand a siege if ever there were one. The trip on the Northern Belle ferry crossing gives passengers a superb view of the naval fortress. It’s only a short crossing of 0.6 miles that takes just under 10 minutes to complete. A short hop from Devon to Cornwall.

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Cremyll Ferry - Cremyll landing stage - Tide & Time Tarry for None - Cremyll Ferry House - Dost thou love life?, Then do not squander time, Time and tide waits for no man! - 1885 (if you look closely)

 

 


On reaching Cremyll, I wandered around the old ferry building for a while. There’s a lovely old clock on the wall that has the motif “Dost thou love life? Then do not squander time, Time and tide waits for no man!” So, what was I doing dawdling here reading this? I must weigh anchor and set my course, I thought to myself.

There are some old photographs of Cremyll and the Cremyll Ferry in the Francis Frith collection. The photo right is an example taken from this collection.

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Cremyll Ferry - Cremyll landing stage


 

The path I was to pick up at the Cremyll ferry landing stage I found to be behind the Edgcumbe Arms pub. It skirted around a working quayside, and then coursed along the waterline. I found myself immediately in open countryside, hardly what one expects when only moments earlier I’d been traversing the busy streets of Plymouth city. I Glimpsed the River Tamar occasionally between the many trees that line the path.

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Empacombe Harbour with small fortification in the background

 

A little way into my walk I came across a footpath sign requesting walkers to adhere strictly to the waterline as the path passes in front of a small group of picturesque houses. There seemed to be the remnants of a small fortification just visible beside the houses, but I’ve no knowledge of what this once was.

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Maker Church - Church of St Mary and St Julian - Norman font

 

 

 

The path then climbed quite steeply through Pigshill and Clarrick Woods (also known as ‘Mount Edgcumbe Estate’) in the direction of Maker church, or the Church of St Mary and St Julian. The church sits high on the hill exposed to the elements. On entering the church, it was the font that immediately caught my eye. This is evidently Norman in origin, There are lovely carvings of writhing snakes, rampant beasts, and the Tree of Life. Apparently the font originated in St Merryn and was moved to Maker church c.1848. The church is Grade I listed.

 

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The edge of Pigshill and Clarrick Woods - view across expanse of Tamar Valley

 


From Maker church I picked up a footpath that eventually led me back to the road, which I followed for a short distance till I reached the point where a bench sits high above the village of Millbrook. This is a superb vantage point with expansive views stretching across the Tamar Valley. As I dropped from here I came across a small information board wedged against a tree. A quick study of this hinted at an alternative path route from Maker church through Pigshill and Clarrick Woods.

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Millbrook - turbosail?

 

A little way further into my walk and I found myself at a small creek with a bench, that gave me ample excuse for a short mid-morning break. A number of exceptionally fine houses lined one side of the creek. A virtually picture book example of finest Devon Cornwall. There appeared to be a turbosail boat moored here, seemingly futuristic, but perhaps not so. I’d love to see one of these in action.

 

 

 

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Millbrook

 

 

Rounding these houses I came upon a large lagoon that I crossed near the Millbrook Sluice that controls the water flowing out from the lagoon. This lagoon is lined with the houses of Millbrook. A flock of geese were to be seen on the lagoon as I followed its shoreline for a short stretch before heading off right to the edge of the village and then up and out into the countryside.

 

Once again, there are historic photos of Millbrook in the Francis Frith collection. The example right provides an interesting panorama of Millbrook from one of the surrounding hills taken c.1955, probably not so far from where I had been standing.

 

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Church of St John

 

 

 

I climbed, then I dropped, then I climbed again, and dropped again, this time finding myself in the little hamlet of St John. I saw the pretty church of St John from my path, but my entry was barred by a locked door. This was a shame, as the church looked interesting and I would have loved to have explored the interior. Checking out the details of the church once I’d got home I found that the church is indeed Grade I listed, therefore worthy of closer inspection, but sadly that was not to be today.

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St John's Lake - Gooseford Lane

 

 

From St John I walked out into countryside again, with views out over a large creek with a tidal road that skirted the shoreline, which I subsequently discovered is called Gooseford Lane. Well, there’s an aptly named lane if ever there were one.

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Horson Cemetery - War graves and monument

 

 

I began an ascent along a gently sloping lane and then branched right following a field boundary till I came up against a high security fence, presumably demarcating a military establishment of some sort. The path followed the fence till it reached a road. Across the road I could see the Horson Cemetery. I was uncertain whether I could, with due respect, cut across the cemetery but thought it worth a try. The cemetery contains a cross commemorating war dead, and there’s a line of war graves beside it. The path took me by a small chapel and out to another road, just as I had hoped was possible.

 

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Antony (NT)

 


I walked a short stretch along the road before picking up a path left that took me down to Antony (NT). I entered the visitor reception and was given a house entry ticket for 14:10, which was ideal, as it was now 13:30, and this would give me chance to grab a quick picnic lunch in the grounds. I found a nice bench at the front of the house shielded by a yew hedge from the brisk chill wind and sat and ate my lunch in the sun.

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Antony (NT)


I had only about an hour to view the house as I hoped to catch a 15:26 bus back to Plymouth city centre. I thought Antony a more attractive house than various photos suggested on the National Trust web site. It’s not large on the grand house scale, but big all the same. It has a very nice symmetry and a charming elegance, both inside and out. Grand without being imposing, and suggestive of a very comfortable and sumptuous life for those that live within its walls; the epitome of high life and good taste. As an aside, Antony attained a certain fame of late, through the shooting of Tim Burton’s film Alice in Wonderland  in 2010. Last year there was much in the house and grounds themed around this film, but those artefacts are not there today.

A bit of a dash, but I did make it to my bus stop in time for my 15:26 bus back to Plymouth. The bus followed a route that involved crossing the River Tamar over the Torpoint Ferry. I was back in the Bretonside bus depot in plenty of time for my 16:40 bus back to Exeter.

Today’s walk proved better than I had imagined. It took me through very tranquil countryside with some wonderful views out over Plymouth. A perspective on Plymouth that was completely new to me. Visiting the charming house of Antony (NT) was the icing on the cake. Just a wonderful day’s walking and sightseeing. I’ve no idea why it took me so long to get around to actually doing this walk. Highly recommended.

Note (1): Antony has only limited opening as the Carew-Poles are still in residence at the property, therefore it is important to check opening times prior to any visit.

Note (2): An alternative walk from Maker Church would be to back-track into the woods and follow a path south-west from this point, which follows a path through Clarrick Woods, connecting with my route at this point. There’s an information board showing the route which I passed, and that’s how I came to know of this option. This alternative route does have the advantage of avoiding the short road section that I used, but it sacrifices the view out over the Tamar Valley and Millbrook shown above.

Walk Statistics:

Total Distance: 13.8 miles (includes 0.6 mile ferry journey from Stonehouse to Cremyll)
Moving Time: 4hrs 46min
Stopped Time: 1hr 52min
Total Ascent: 537 metres
Maximum Elevation: 114 metres

Buses: X38 (Stagecoach Explorer £7.25), & 81/81A (single £3.40)
Ferry: Cremyll (£1.25)

Total transport cost: £11.90

Tuesday, 11 September 2012

11 September 2012 – Walk: Exeter Graffiti for Exe Bridges – It’s Official

Synopsis: The Exe Bridges have been officially decorated with high quality graffiti artwork. I stumbled upon the paintings whilst taking an afternoon stroll by the river. Project commissioned by the council.


 

This is going to be an unusual blog posting for me. It’s all about the decoration of the Exe Bridges by graffiti artists, and reportedly it’s official. I was simply out for an afternoon stroll when I glanced from the parapet of one of the Exe Bridges and the artwork caught my eye, so I stopped to take a closer look and snapped some photos with my mobile phone. I’ve no idea what the technique is to create these images. Some of the artwork hardly looks like graffiti, such as the black & white portrait below.

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As I stood taking photos of a number of the pieces of artwork a cyclist stopped and asked what I thought of the work. I said I was very impressed with the highly imaginative images which were very bold, vibrant and eye-catching. The cyclist explained to me that it was a ‘Fighting graffiti with graffiti’ initiative commissioned by Devon County Council. Apparently the project had been completed over the previous weekend.

When he’d queried what could be done to prevent the works being destroyed by over painting, he had been told that all the graffiti artists about Exeter had been recruited for the project, and therefore it is hoped that won’t happen. Seems pretty shrewd move to me. I’ve included a small selection of my favourite images here in this post, others can be seen in my Flickr photo set (link above). Or better still, take a moment out when you’re next down by Exe Bridges and see firsthand. View video Exe Jam (Youtube).

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Friday, 7 September 2012

07 September 2012 – 09 September 2012 – Heritage Open Days around Exeter

Synopsis: Heritage Open Days visits to St Stephen’s Church, Southernhay United Reformed Church, Custom House, St Michael & All Angels’ Church, Exeter Synagogue and Killerton House (NT).

 
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(selection of photos from Flickr photo set – use link above to view album)

This blog post describes visits made possible under the Heritage Open Days (HOD) scheme. To see other blog posts which describe Heritage Open Days visits, please see Tag in column to the right.

Friday 7th September: St Stephen’s Church (Just some higgledy piggledy notes without photos)

Little did I know this was to be my Dr Who experience of the Heritage Open Days. I arrived at St Stephen’s Church about fifteen minutes after the advertised opening time of 10am to find there was to be a talk on the church and its history at 10:30am so I gathered a little literature from a table and found myself a seat inside the TARDIS.

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The TARDIS from the Dr Who television series

The reason I say ‘TARDIS’, is that I felt it was like that, on entering the ‘medieval’ church. The church has just had a £1.5m makeover and the inside now looks gleaming and new with very little that might reflect its long history, slightly odd for what is ostensibly a medieval building. So, it felt to me like the TARDIS, not in that its exterior dimensions belied the size inside, but in that the outer appearance gives no suggestion of what the interior looks like. The interior feels rather as if it could be any modern hall and conveys little of sense of a long tradition of Christian devotion, which is something of a shame.

 

The talk gave a history of the church of St Stephen’s within the context of what was happening in the country as a whole. The original church was smaller than the one we see today; the walls were sited roughly where the internal pillars of today’s church are. There is a crypt beneath the church that dates from the very earliest period of the church. It is very unusual for a church to have a crypt, there being only five churches in England that have a crypt, one other being in Devon at Sidmouth, at the church of St Gile’s. The pillars of the crypt were improved through replacement by the Normans. The crypt was not opened up as part of recent renovations as it was though it may have destabilised the church and there wasn’t the money to undertake this in a safe way.

The bow of the church was built in the 13th century, over an old Saxon lane. In the 15th century the top level of the crypt is removed and the two-tiered nave made level (prior to this change the church would, including the chancel over the arch, have been on three levels).

Myles Coverdale, instrumental in the production of the King James Bible and whose translation of the psalms is to be found in the Anglican Book of Common Prayer, was made Bishop of Exeter. When Mary Tudor came to the throne with a wish to reinstate Catholicism in the country, Miles fears for his life and flees to the Continent. Mary burned three hundred people in her purge, one of whom was Agnes Proust of Exeter, commemorated by a memorial to be seen in Denmark Road.

If you did not attend an Anglican church because of your Catholic beliefs you were termed a recusant. In Queen Elizabeth I’s reign there were nineteen churches in Exeter. There is a substantial memorial to George Potter in the church in recognition of his having paid for the rebuild of the church after a fire in 1895.

Saturday 8th September: Southernhay United Reformed Church, Custom House & St Michael & All Angels

Southernhay United Reformed Church, Exeter

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United Reformed Church, Exeter

Of the original 1860’s building on the site of the Southernhay United Reformed Church only the tower and spire remain, the rest having been destroyed in the blitz of 1942. The destroyed portions of the church were rebuilt in the 1950s. On entering the church I found it to be very much as I would have expected a 1950s church to be, in that it was spacious, light and airy, the lines of the church being clean and simple, and as such, quite elegant. I said to one of the lady stewards in the church that I thought it is possibly quite unique in Exeter, to which she replied, saying that there is one other similar church, and that is St Jame’s Church, but I’m not familiar with that church.

 

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United Reformed Church, Exeter - west gallery

 


 

The patrons of the church had gone to quite some effort to explain the the past of the church by posting a brief history along with old photographs around the walls of the nave. Apparently the original plan for the rebuild of the church was to demolish the spire and redevelop the whole site but there was an outcry from the people of Exeter against this, and so the tower and spire were saved. This photo shows the west gallery of the church.

 

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United Reformed Church, Exeter - showing tower, the only surviving part of the 1860s church

 

 


Today, much has changed all around the church with the major redevelopment of the city centre which has only recently been completed. I asked if this had affected the church, and the lady in attendance said grooms at marriage ceremonies can no longer rely on future brides arriving on time since they’re likely to be stuck in the queue for the car park which often runs the whole length of Paris Street and onto the roundabout at the bottom of the hill. Not very clever planning. And, rather interestingly, apparently the developers, Sturgess (I think), sought to buy the church offering an alternative (backwater) site elsewhere in the city as replacement. The church board considered this proposal but it was rejected. The site of Southernhay United Reformed Church is obviously high value being so close to the city centre; I feel it would have been a shame to have lost out to yet more shops, business and residential accommodation. Man can’t live by shopping alone (sic.), I think it was once said.

Custom House, The Quay, Exeter

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Custom House, Exeter Quay

My next port of call was literally that, Exeter Quay, as I wished to visit the Custom House to be found thereupon. I arrived slightly before the opening time of 11am so I strolled about the quay for a few minutes but it was not long before I could see a crowd gathering at the Custom House, so I made my way across to the entrance. This was obviously going to prove a popular attraction from the number of people crowding into the tiny entranceway of the Custom House. A gentleman (Paul) arrived and ushered us to the front of the building where he began a talk on the building.

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Custom House, Exeter Quay

 

It’s a somewhat strange affair in that the Custom House is now home to Chandni Chowk (Fair trade clothes, ethical home and fashion accessories) which moved in a few months ago from a site elsewhere in the city, currently on a one year lease. The gentleman giving the talk was the ‘tenant’ of the building, apparently obliged to show groups around, which he said he willingly undertook.

The brickwork is laid in English Bond form, but apparently the bricks, produced at a local kiln, were poorly made and many have had to be replaced, bricks being a new invention of the time. The property is believed to be the oldest surviving brick building in the city. Constructed in 1680-81, Exeter's Custom House is the oldest in the land, used by Customs and Excise until 1989.

 

The canons at the front of the building were an order from Russia, sent back as being either inferior or unsuitable. They’ve no real connection with the building other than that, but have become rather a landmark of the quay.

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Custom House, Exeter Quay

It’s impressive to see how much of the building survives in its original state. Much of the brickwork, the roof, the doors and hinges, the staircase, the flagstones, the rear windows, a communication tube between ground and first floor, and of course the ornamental sculptured plasterwork ceilings. The ornamental ceilings are a major attraction of the building, the plasterwork extremely flamboyant and picturesque, being far more three-dimensional than is typical of sculpted ceilings. There are roses, berries, flamingos, and what are believed to be lamprey, all carved in the plaster of the ceiling.

 

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Custom House, Exeter Quay

What becomes readily apparent from standing at one of the first floor windows is what a commanding view a person has over the whole working quay. I suppose if the taxing of goods in and out of the port are to be properly conducted, this is just the sort of lookout that was required. Our guide was able to tell us of some rather shady dealings uncovered when the inspectors arrived. So, no change there; some things remain timeless, such as the fact that everyone’s on the make.

The new use of the Custom House seems to form a happy marriage between an historic building of great significance and the trading of exotic products from India. There’s a real sense of continuity in its current use, and I hope it proves successful for all concerned.

On concluding my visit to the Custom House, I returned to the city centre and entered Rougemont Gardens where I found a place in the sun to eat my picnic lunch.


St Michael and All Angels Church, Dinham Mount, Exeter

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West front

St Michael and All Angels is a church I’ve long wished to visit and finally this opportunity has arisen. In part my interest in the church has arisen from the fact that it was built from the proceeds of its benefactor William Gibbs, the owner of Tyntesfield House (NT), who was a guano magnate. Another prime reason for my interest in the church was that it holds such a commanding prospect from the city sitting high on its mount, topped off with a tower and spire which make it the highest church in Exeter. All perhaps rather surprising for what was originally intended to be a chapel to serve the spiritual needs of the poor living in the adjacent Exeter Free Cottage almshouses.

 

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St Michael & All Angels Church, Mount Dinham, Exeter

 

 


John Dinham, a local philanthropist responsible for the building of the nearby almshouses, felt a church was required on the site, for the spiritual wellbeing of the inhabitants, and sought a benefactor to bestow the necessary funds. He somehow discovered William Gibbs who was obviously well impressed with John Dinham and his works, and who, conveniently, was extremely wealthy, and able to commission the large and imposing church we see today.

Our guide for the tour, a member of the congregation and choir of the church, and also a historical architect, explained that the building is modelled in the French Gothic style. It is certainly unlike any other church in Exeter, other than perhaps the cathedral.

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The reredos

 

On entering the church one’s eye is immediately drawn the length of the church to the reredos. There is an ambience of dark grandeur in the building, which perhaps evokes an appropriate sense of sombre piety in those attending worship. Because the chancel area is rather a dark space, the stained glass east window seems to shine out bright and vivid. It’s a rather splendid piece of work.
 

 

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Chest monument with a life size effigy of William Gibbs

 

 

 


In the chancel is a chest monument with a life size effigy of William Gibbs. On the opposite side are three elaborately carved sedilia, rather an unusual sight in an Anglican church.

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St Michael & All Angels Church, Mount Dinham, Exeter

 

 

On leaving the church I strolled around the almshouses and old Episcopal School, now converted into residential accommodation. I’ve always liked these almshouses on Mount Dinham, as they create such a tranquil and picturesque space on a site that is but a stone’s throw from the hustle and bustle of the modern city centre; a little oasis of calm in a frenzied world.


Sunday 9th September:
Exeter Synagogue & Killerton House (NT)

Exeter Synagogue

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The Synagogue, Exeter

The Exeter Synagogue requires a little hunting out, as it’s to be found down a little alley behind other buildings. It is perhaps not commonly known that there is a synagogue in Exeter, nor that there is also a mosque in the Exeter Mosque. A talk was being given to a small group of people on my arrival, so I tagged onto the back of this group.

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The Synagogue, Exeter

 

 

 

It is not a large building and space is confined to the point whereby its interior is certainly quite intimate. The building is rectangular, with the Torah Ark, a place where the Torah scrolls are kept, on the wall furthest from the door. This theoretically should be on an East facing wall (towards Jerusalem, rather like a Christian church), but apparently is somewhat skewed from this angle. In the centre is a raised enclosed platform with a large sloping desk on which I believe the Torah scrolls would be unrolled. Scrolls are not touched by hands, wooden poles are used to manipulate the scroll.

 


As the ark was about to be opened, the gentleman giving the talk handed out to the men present little skull caps which I believe are called kippot. There were 4 Torah on display in the Ark, the oldest of which, not used for services, was thought to be about 300-350 years old, written on goat skin. The newer scrolls were on parchment. It takes considerable knowledge of the Torah to be able to navigate around a Torah to the location of any desired text. The text in the Torah is the first five books of the old testament within the Christian bible.

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The Synagogue, Exeter

The interior of the synagogue has seating at two levels. Traditional Judaism dictates that only men would be on the lower level, women on the higher balcony level, as spectators to the ceremony. Apparently the Exeter Synagogue does not adhere to that code of practice. The columns supporting the balcony are painted with images of reeds, which are said to represent the reeds in which Moses was found.

 

 

 

 

 


Killerton House (NT)

My sister-in-law Christine said she’d be interested in a visit to Killerton House (NT) which was open for free on Sunday as part of Heritage Open Days. With Mum and I, we made a threesome for this visit. The car park was pretty busy on our arrival, so this was obviously proving a popular attraction today.

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Killerton House (NT)

The odd thing is that Killerton House is the National Trust property that is closest to where I live in Exeter, and yet I’d never gone into the house. I think this is in part because visits to the property have often been short afternoon hops, often with Mum, leaving us only sufficient time to explore the gardens, and hence we’d never ventured into the house till now.

 

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Killerton House (NT)

 

 

The house, its lands, and the entire estate including tenanted cottages and farms, was presented to the National Trust by Richard Acland in 1946. Apparently, by virtue of the extensive holding at Killerton, this is one of the trust’s most profitable properties. There’s obviously a steady rental income coming in from all the various tenants. (“At 2,590 hectares (6,400 acres) it is one of the largest the National Trust has acquired (it includes 20 farms and 200-plus cottages).”)

I was told by one of the stewards that the Aclands acquired their considerable wealth through the good sense of having sons, and then marrying these sons off very fortuitously. That is to say, wives with very substantial dowries were acquired at various junctures in the lineage, and this added considerably to the pot.

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Killerton House (NT) - dining room


There is a substantial collection of paintings on display on the ground floor, many are of the Acland family, and make for very interesting viewing. The house is quite cosy, and provides a good sense of what it once was to be well off and living a good life through the 19th and early 20th centuries.

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Killerton House (NT) - the staircase

 

 

 

The stair case is quite grand, and is topped by a skylight with decorative chandelier of a rather unusual design. Is that alabaster? I’m unsure, but it looks as if it could be.

 

 

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Killerton House (NT) - costume display

 

 

 

There is a fine collection of costumes on display, particularly around the rooms of the first floor. Some costumes are early Georgian and quite unlike anything I’d seen previously. There were costumes right up to the 20s and 30s, these being very easy to place in their time, as distinctive as they are.

 

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Killerton House (NT) - the Bear Hut

Mum, Christine and I finished our Killerton visit with a quick circuit through the formal garden, up to the Bear Hut (where apparently a bear was once kept), through the rock garden recently recovered from obscurity, and down a tree-lined path returning to the house. It was by now nearly 5pm and most people had deserted. Unfortunately it was rather overcast and cool so we decided to postpone our picnic till we returned home where we’d have the luxury of a cup of tea. The scones, strawberry jam and clotted cream supplied by Christine were the perfect way to end our Killerton trip.



These few days were something of a cultural overdose; well, almost. It was a very interesting, if rather busy few days. There are things I’d go back to and savour more slowly another time, so, I must make sure I have a date in my calendar for HODs next year.