Saturday, 24 March 2012

24 March 2012 - Walk: Budleigh Salterton (11.1 Miles)

Synopsis: From just outside Budleigh Salterton this walk begins by following the old dismantled railway, loops over Woodbury Common, continues via East Budleigh, Otterton, then the course of the River Otter.

GPS Tracklog Download (.gpx) Microsoft OneDrive -:- Google Drive
 
 
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(selection of photos from Flickr photo set – use link above to view album)

Today was predicted to be gorgeous, and it started with plenty of sun, so I scrambled together this route during the morning, packed a lunch, and set off for Budleigh Salterton. I felt a little guilty as I set off in the car as, with a little more preparation, this walk could very easily be done by bus from my place, but alas, everything was hurried and I hadn’t the time to consider this.

I parked up in a small hamlet named Kersbrook which is at one end of the dismantled railway on which I wanted to start my walk. Looming high behind where I parked was this large Victorian railway bridge. I walked up to and underneath this bridge not realising that the steps I could see to the left would have taken me immediately up to the old dismantled railway. Instead I walked a short distance along the main road until I came to some houses on the outskirts of Budleigh Salterton and joined the disused railway route there.

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Exmouth to Budleigh Salterton dismantled railway line - end of the line: brick wall of someone's garden

The walking along the old railway route was of course quite level and easy going, but after a distance of 0.64 miles into my walk I was faced with the wall of a garden. At a certain point the old railway course has been unfortunately built over (0.64 miles from start). At this point I was forced to climb some steps to the road and snake my way through some a number of streets before once again I was able to pick up the course of the old railway. There’s a short section of the old track that’s now used as a firing range; this is best avoided.

I was rather dismayed that the point at which I wished to depart tangentially from the disused railway was to have been on a lane about 30 metres below where I stood. I could do nothing more than continue along the railway course, but luckily after a short period of time I was greeted with a ‘Permissive Cycle Way’ sign (2.1 miles from start) that, when followed, dropped me down to my desired lane (or is that track).

 

 

A little way along this lane I detoured from my planned route as what appeared to be a track on the map didn’t seem as such on the ground. I simply continued further up the hill in the direction of Woodbury Common knowing that at some point I would be able to regain my original planned route.

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Woodbury Common - my lunch stop

It was nearly 1 pm when I entered the landscape of Woodbury Common and there’s a lovely scalloped valley that I know which I decided to make my lunch stop. The sun was shining, the day was warm, and there was not a soul about. I was in heaven.

 

 

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Hayes Wood - pigs and mud - they just love it!

 

 

After lunch my path took me down hill until I needed to branch left through Hayes Wood. I skirted the pig farm that I’ve passed on a previous walk of mine. The pigs seem to have grown since I last passed this way. I love the way that if you give pigs a pool of mud they just have to wallow in it. I guess it must be one of life’s pleasures, at least for pigs it must be.

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Hayes Barton - home of Sir Walter Raleigh

 

Moving on from the pigs I took a minor detour up a lane to catch a glance at Hayes Barton, the birthplace of Sir Walter Raleigh. This is a very picturesque place, so of course I had to take a photo.

 

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East Budleigh - Church of All Saints - bench end

 

 


From here my course was down the lane to East Budleigh where I wanted to spend a little time in the Church of All Saints. There are some excellent bench ends in this church, a whole assortment of designs. I picked out a few that caught my eye and snapped a few photos. I’ve come across this kind of wood carving more in Cornwall than Devon, so nice to see this on home ground, so to speak. Interesting to note that there is a Downton House in Wiltshire (Carew Raleigh); I do think that would make a good name for a television costume drama. Also interesting to note the existence of a stained glass window commemorating the laying of the first transatlantic cable between America and Europe.

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East Budleigh - Sir Walter Raleigh

 


East Budleigh is an amazingly quaint and beautiful village. Stepping into its streets makes you feel as if you’ve suddenly been catapulted back in time. There’s even a bronze statue of Sir Walter Raleigh standing at the head of the main street. Well, I suppose it is the village’s claim to fame, so why not.

 

 

 

 

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Otterton - Church of St Michael

 


I headed out of East Budleigh in the direction of Otterton. I took some time out to once again take a quick look around the Church of St Michael. It seems rather a ‘high’ church for such an unassuming village. The interior decor strikes me as being rather baroque in style, although I understand it dates from mid-Victorian times. There is plenty of marble in evidence, and I believe the roof is hammer beam.

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Budleigh Salterton 066

I picked up the lane at the back of Otterton Church which rose gently to the back of the village, and then descended into trees in the direction of the River Otter. This lane follows the course of the river which I followed pass one footbridge, crossing the river at South Farm Road bridge. I stopped briefly for a cup of tea on a bench beside the bridge before making tracks down the road to my car. Note that I deviated from my planned walk at this point as a diagonal public footpath between river and road does not appear to exist on the ground.

 

It had been a while since I’d done a good walk, and although this walk was neither long or arduous, it felt like a good walk. I always like a walk that entails plenty of variety, and this walk had that. The weather was glorious as predicted, so that added to my enjoyment.

Walk Statistics:

Total Distance: 11.1 miles
Moving Time: 4hrs 00min
Stopped Time: 1:29min
Total Ascent: 377 metres
Maximum Elevation: 100 metres

Buses: (none)

Saturday, 17 March 2012

17 March 2012 – Trip: Brixham

Synopsis: Mothering Saturday. Or at least, that’s what it is in our family. Decided to take Mum on a trip out, although overshot original destination and wound up in Brixham. Nice outing all the same.

 

My original plan  had been to take Mum out for lunch at the Linny Inn, Coffinswell, but the traffic was snarled up at the Penn Inn roundabout so I attempted an alternative route that got us completely lost. We overshot Coffinswell and as I thought there was little point in returning from whence we came, we opted on continuing to Brixham. We parked in the Oxen Cove car park and walked back to the harbour area. There we found a very nice fish-n-chip cafe overlooking the harbour and guess what? Yes, we had fish and chips.

As we ate our lunch I commented to Mum on the excellent photos of Brixham that hung on the walls of the cafe. As we were leaving I enquired of the photos and was told that they’d been taken by a local photographer by the name of Chris Slack. Now there’s a fine name if ever there were one. Apparently Chris has a stall on the harbour side at weekends during the main holiday season. As Mum and I stepped out of the fish and chip cafe Mum happened to spot a card for sale on a nearby stall that was one of the pictures on the cafe wall. From this I was able to deduce that Chris has his own Chris Slack Photography web site from where it’s possible to see a selection of his work. One of Chris’s shots that impressed Mum and me was this photo of a lifeboat crashing through the waves. Very dramatic and nicely caught on camera.

Mum and went I for a little walk around the harbour. Nothing too strenuous as Mum was still recovering from a bad cold. Brixham is such a pretty place, it was nice to slowly wander around taking a few photos of my own.

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Brixham harbour with church on hill

The day was a little overcast and the light rather flat. I thought my best chance of getting a decent image would be to look for shots that might lend themselves to tone mapping. This first shot is very simple, merely looking out across the beautiful harbour towards the church on the hill. I needed to increase the dynamic range a little and bring out some contrast, and yet I attempted to keep the shot reasonably realistic and gentle on the eye.

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The replica of the Golden Hind in Brixham harbour

 

 

In this second shot the replica of the Golden Hind has quite stunning lines and the sky was doing some interesting things behind it, so I allowed myself to push the tone mapping really hard in an effort to create a dramatic image. Although artificially high on dramatic contrast, I feel the water craft have remained reasonably realistic and generally natural. I like the cold steel quality to the water.

There are a few more photos taken today in the Flickr photo set, a link to which can be found at the top of this blog post.

Saturday, 10 March 2012

10 March 2012 – Trip: St Peter the Apostle Church, Shaldon & Coleton Fishacre (NT)

Synopsis: A trip out for Mum, sister-in-law Christine and myself. Our primary objective was Coleton Fishacre, but I convinced Mum and Christine of the worth of stopping off on route at St Peter’s, Shaldon.

 

Christine suggested a trip out to a National Trust property, and Mum and I thought that would be a nice thing to do. The new season had only just begun for the National Trust, but there were now a high proportion of properties to visitors. We settled on Coleton Fishacre which always makes for a nice visit. Not exactly grand, but very charming, and wonderfully located in a comb running down to Pudcombe Cove.

I was hankering after a stop at St Peter’s Church on route, something I asked Mum and Christine if they’d mind us doing. The main reason for wanting to do this is the fact that I wanted to take some photos inside the church, as I wished to experiment further with photo tone mapping, something which I began to explore a couple of weeks back.

I have downloaded the Oloneo PhotoEngine software on a 30-day free trial to explore the creation of High Dynamic Range (HDR) images and the process of tone mapping. I’ve seen the work of various people using this technique to great effect on Flickr, and have been keen to investigate the process. I believe I’ll stick with it, as it has a lot of potential in certain scenarios. It’s a technique that’s primarily of use in situations where there is a high luminance and contrast range in a shot. It’s particularly good for interior shots using a tripod where there’s no movement in the image or of the camera. It is a problematic technique where any form of movement is involved, as the technique involves the blending of multiple images to create a single HDR image. If you wish to read more about the process, I suggest you start with the Tone Mapping article on Wikipedia.

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St Peter the Apostle Church, Shaldon - pulpit

Of the photo results that I obtained whilst at St Peter’s, and subsequently tone mapped, this image of the pulpit (see right) is one of the most successful. The tone mapping process really expands the contrast range, showing detail in highlights (the window) and shadow (the dark brown rim of the pulpit and the roof timbers). The vaulting in the background also contains some lovely detail and colour.

 

 

 

 

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St Peter the Apostle Church, Shaldon - altar

 

 


The chancel and altar was going to prove a demanding shot to photograph as there was an enormous range of contrast. Once again I set about obtaining my three long exposures (shot at standard, –2ev and +2ev exposures). The resulting image once tone mapped proved yet again to be highly successful, almost 3 dimensional.

 

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St Peter the Apostle Church, Shaldon - west window

The west window of the church was the next item on my agenda. Once again the contrast was phenomenal, probably the greatest I’d yet come across in my tone mapping experiments. The light was so bright from the window, and yet the interior of the church remained in deep shadows. I actually captured 6 variously exposed shots for this image, and I believe that helped in the tone mapping process. Once again I was extremely delighted with the outcome. The photo I feel really shows the beautiful architecture of the building. I actually think the church is something of a hidden gem, with most people driving by without giving it a second thought. I can say that, as that was also me for many years.

 

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St Peter the Apostle Church, Shaldon - St John the Baptist font

 

 

 

I took some close-up photos of the angels that stand guard over the chancel step, and these were quite acceptable, although I struggled to quite get the result I wished for. The same was true of the photos I took of the St John the Baptist font (photo left). In these shots the texture of the marble is not quite what I was seeking. Marble, perhaps rather ironically, can have an almost soft, milky appearance, but my execution of the tone mapping on these objects resulted in harshly grained images. As I’m a novice of only two week’s tone mapping experience, I shall put this down to my own incompetence, and shall hope to do better in the future.

 

I was rather unfortunately told at Coleton Fishacre that I would not be permitted to take photos in the building, which is a great shame. Apparently someone had ‘abused the privilege’, although quite what that means I do not know. There are chambers at this property just crying out to be tone mapped, but I was denied the opportunity. There is such grace and elegance in many of the rooms at Coleton Fishacre, and we had to settle on the feast for our eyes. I quickly attempted to capture some hand-held images in the garden, as light was fading fast by now, but the results when tone mapped weren’t that successful.

If you wish to see the full set of photos, including those that are tone mapped, please use the Flickr link above. This will take you to a set of photos on Flickr which include those that are tone mapped. If in doubt, look for the ‘tone mapped’ tag against photos.

Saturday, 3 March 2012

03 March 2012 – Trip: Killerton House (NT), near Exeter

Synopsis: A trip to Killerton House and Garden (National Trust) near Exeter, to see the daffodils, except there were none, or at least there were very few, as we’d jumped the gun. Enjoyable trip all the same.

 

It was a lovely sunny afternoon so I suggested to Mum we take a trip out to Killerton House and Garden (NT), to see the spring flowers. Trouble was, we were rather too early, as the majority of the daffodils were simply flower stalks yet to come into bloom. Still, it was such gorgeous spring afternoon to be wandering around what is a most splendid garden even when flowers are not in bloom. The trees looked majestic, and there were a few rhododendrons in flower, along with the odd magnolia.

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Killerton House, facing the formal gardens.

I have to confess to having something of an supplementary ulterior motive for this trip, as I was keen to further practice my current experimentation with HDR photo imaging. The gardens at Killerton would give me a new subject for me to explore. I tried shots of the flowers, the trees and Killerton House itself. It was this photo of Killerton House which proved the most successful (see photo right).

 


 

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Idyllic Devon!

The problem I experienced using my main tone mapping technique of shooting multiple images which are then input into the process, this only really works if the subject of the photos are relatively static. Today there was a strong wind blowing across the valley and catching the exposed face of Killerton gardens which meant the various trees and flowers were bobbing about frantically. This motion resulted in really awful ghosting in the HDR images. I did however return to one of my images, that of a large spruce, and input a single image into the tone mapping process, and the results of this were significantly better (see photo left).


Whilst at Killerton I could see the possibility of using my other photographic technique ‘of the moment’, which is to take a series of photographs and stitch them together to create a sweeping panorama. There are a couple such photographs to be found in my photo set on Flickr (link above), but this photo, once again of Killerton House, was probably the best of the pair (see photo below).

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Killerton House, facing the formal gardens.

Can you spot Mum?

I’m going to finish on a little teaser. What is the connection between Killerton House and Bude, Cornwall? A little clue: it has something to do with the Temple of Winds at Athens. That’s perplexing, isn’t it? (Answer).